Shree: Form as being in the world
Shree: Form as being in the world
The idea of modern architecture is
about coming to terms with search of a form that can convey or express the
essence of changing/ changed times by various factors. These factors seem to be
external as well as internal. In this, the search for the form is a general
idea, the search for which, is an individual process of synthesis of the
context.
What constitutes change?
Colonialism seem to have resulted in formation of industries, mass migrations,
displacement from place, changing attitudes towards cities, way of life,
production, relationship with work and education and leisure and healthcare and
this change has accelerated over the years. This has resulted in newer
requirements for which architectural solutions were required (hence new
building types) and by this we also mean new design programs, new sequences,
new patterns and new functions. Technology and the process of using technology
also necessitated changes as compared to more hands on ways of doing. What
seems to have changed is the meaning and the sense of scale, proportions,
textures, volumes or massing and through this change the impact on the psychological
effects.
To make a dwelling previously, either at a collective
or an individual level meant response to the territory as a whole (making of a place), memories, collective
wisdom, hands on doing and so on – the idea of form making has changed drastically
(or forced to change).
Every change necessitates finding
different ways of “belonging” in this world. Some architects may have taken the
path of industrial aesthetics, others have abstracted principles of design,
still others have played with mystical ways of responding, yet others have
interpreted lessons of primitive architecture.
We are also talking about the
role of architect – having to deal with a ‘site’ (instead of working among the
community), architect who maybe from a different place, who is required to deal
with universal idea of technology, and who has a different program to conceive.
Perhaps he is required to ‘deliver a solution’ rather than express a mode of
living.
In all the years of modernism and
movements that have followed modernism, there has been a backlash as well and
the discourse concerning social dimensions, cultural sensitivity, climate,
humane architecture, textural qualities, poetics in architecture, universal
feelings, empathy seem to gravitate back into the search for a form. This is a
discourse that will continue. Placing feelings, empathy, hands on etc as the
core of making has been prevalent in non industrial and pre modern cultures
because the sensitivities seem different. At the core is the issue of
sensitivity of perceiving ‘space’.
And space is not just an architectonic
term, but has human, cultural, traditional, mythical, transcendental dimensions
as well.
We live in a strange world of
extreme fragmentation and a ‘form’ that can address this experience maybe
appropriate for today. A form is a concern/ intent of being in the world – it is
not merely architectonic expression.
Hari Om.