Perception of Architecture
This thought was
in my mind probably since I landed in Vancouver – in August 2012. It is only
now that it has taken a shape and that I would like to give it some definite
form of expression.
Can architecture
or arrangement of spaces bring about social cohesion or interaction? The
‘interaction’ term is so loosely used by architects themselves that probably
even they don’t know what they mean when they say it – something like
swallowing food without chewing it. I remember the days in my college and even
when I was working as a professional architect in Pune that ‘interaction’ among
people and the ‘feeling of community’ was conceptually explained to happen by
default by suitable arrangement of spaces that promoted this wonderful
phenomenon. The classic case of a courtyard was audibly and visually played out
again and again by myself and my colleagues to the point that it started to
sound more like a given. The critical thinking that is actually required to
question the fundamental relation of the arrangement of space and the kind of
social behaviour it generates hardly took place.Not even once have I
encountered such a basic (but very important question) of what makes certain
spaces socially alive and what makes others so dead? Is it in the hands of the
designers, as we so deterministically claim, to decide the level to which
people should interact so as to generate a good, harmonious, peaceful, healthy
feeling of community?
For those interested
in knowing the correct answer to this question, I will highly recommend
designers to read a book called ‘People and Buildings’ edited by Robert Gutman
– and especially the article of ‘Social Theory on Architectural Design’ by
Maurice Boady in the same book.
The following is what I
have to propose:
‘People’ and
their relations with one another in a given common space are the two most
influential factors that determine the individual’s relation to that space. Consider
any space in your life – from home to office and you will recollect memories
about activities and people with whom you responded. You don’t remember space
as such, you remember what you did with the people in the given space. And that has got nothing to do with the spatial
arrangement. How people choose to interact with another and thereby form
relations is a matter that is not governed by architectural spaces. You may
choose to ignore a person although the individual maybe at an arm’s length from
you or you may take all the efforts to meet a person although the individual
maybe staying in another city. By ‘interacting’, I mean to say that you are
doing some kind of activity which is meaningful to you and the other person at
the same time in the given space – that may be talking together, studying
together, playing, singing, cooking, shouting, yelling, crying, laughing – all
these actions and emotions you share with a person as you spend time with
him/her together in some place. The sharing of actions or emotions creates
certain memories or ‘value’ or ‘meaning’ to the space – you are creating the
meaning. It is you who is defining the meaning of the space, which I argue, is
dependent on people with whom you share the space. This interaction, if it
happens naturally, the creation of meaning to a space happens naturally. And if
it doesn’t happen, then neither can anything external planning agency can force
it to happen. For example a balcony doesn’t feel like a balcony if there’s no person
sitting on it.
The second
important factor to be noted that mere physical presence of people in a given
space doesn’t help to create any community feeling. If people meaningfully
communicate with each other, only then we seem to be engaged with space. A
hundred people in a given space not talking to each other is as worse as not
having a human soul nearby. This I have experienced in public transport buses and
on metrorails – spaces of rapid transit. To travel in a bus packed with people
with pin drop silence is a kind of an experience that you cannot imagine in
India but something which seems to be a common phenomenon in Vancouver. You won’t be able to understand what it feels like in such a place and
how terrible it feels, I must add. You won’t understand the feeling that gets
generated because of this and how that feeling affects your perception of space
around you. The relation with
space is not shared with anyone else – since there aren’t anyone around to
share or nobody seems to be interested to have a dialog, if at all. The contact with people is fleeting and
superfluous and therefore the memory of people and of space is fleeting as
well. The relation is primarily defined between you and space, alone. The
character of space thus felt, is ‘individualized’ (and not about ‘community’).
I feel that the problem
is not with architecture – it is with the lifestyle, the conception of
individual’s identity and relating the consumerism attitude to space.
In this
background it is easy to see why spaces in India look so alive. And in
hindsight I realize why the master architects spoke so passionately about chowks, mohallas, pols and pergolas and
the sun. The emphasis is on people. Perception of space
is heavily influenced by how people interact with you within the space. Again, the romanticised talk of extensive
interaction in Chaals or near the
wells or public toilets misses the crucial point. The well or the public toilet
or the common passage along the courtyard house is not the initiator of
animated dialog. In India, any space can come alive because of the sheer volume
of activity generated by the presence of people. In India, it is impossible not
to stay engaged or remain uninvolved with people and by extension – with space.
You give a courtyard or you don’t give – won’t make much difference. The space
will be kicking with life one way or the other.
I restate the
point that our strongest relations with space are formed through people and not by space in itself. If there are no people,
space remains at a very abstract level of experience – devoid of richness.
So, critically,
I feel designers should drop their default habit of deterministic relation of
the courtyard with promoting healthy interaction or feeling of community. For a
start, understand what makes people come together. What are the cultural meanings
of public spaces in India? What is so important about the cricket grounds, the
temple, the fort, the spectacle of festivals? How does the dependence of online
media hinder our ability to communicate with people and space? These are the
questions, designers need to be involved with, so their responses may lead to
promised outputs of interactions and feeling of community.

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