On Reading and Conceiving
As architects and also an
existential phenomena, 'we' are involved in perceptions and conceptions of
environment. The nature of perception and conception determines the quality and
the experience of the product that is generated by such thinking processes.
Hence, it becomes crucial to keep
refining the approach and the methods of perceiving the phenomena and
conceiving responses to be grounded in the 'given'. Effectively, we are dealing
with reading a space and conceiving a response. All intentions, processes,
methods of mapping and critiquing need to respond to this tendency of human
behaviour.
If we see ourselves in our
limited lifespan, as our age changes, we should realize that our perceptions
and conceptions of situations keep changing. At a young age, perception mostly
will be informed through "senses" (sensorial) and this would dictate
the response to a situation. In a nutshell, we call such tendencies as being
'innocent' (for young kids) and 'naive' (for grown ups but who continue to
imagine in a sensorial manner). As we grow, the mode of denial/ rebel kicks
over and we start to use the intellect, which alters the impact of the
sensorial signals that our brains digest and analyze. Thus, imagination is
altered. Herein, we are trying to make more sense of our environment. Mostly,
at this stage, we become aware of others needs and we try to accommodate their
needs along with ours - but there is still negotiation in balancing the idea of freedom versus the
common goodwill.
Finally, if we develop our
tendencies to expand our gaze to observe the entire ecosystem, cosmos, memory,
we develop a tendency to look beyond our life spans and our ideas, actions,
imaginations gear towards appreciating the "pattern" of things - and subsequently
our perceptions and conceptions reflect this tendency. The notions of
geography, history, culture, Time, Memory get imagined in greater depth. We can
call such people as "evolved" persons who do not seem to take things
personally, who know the dilemna of existence and yet choose to act in the
"pattern" of existence -doing their own bit for the larger good. The
idea of Dharma/ right conduct in Hindu philosophy, probably points to that
level of awareness. Products coming out from such an attitude get a timeless
quality.
One can go on to say that
"aesthetics" can be understood from such perspective. The larger the
gaze beyond Time, greater can be said about the aesthetic experience one attains.
Herein lie concepts of "raasa utpatti" (fundamental feelings in a
human being), "essential", "ambiguous", "growth/ spontaneity"
(Japanese aesthetics).
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